In advance of the show opening tomorrow we caught up with artist Sarah Kudirka who has a busy week. You can see Sarah's work in the show but also you can go and see (and buy) her work at the other art fair.
Tell us about your work
and influences. We guess that your current work, given that it starts
small scale, is perfect for RCA secret?
I am a painter whose work is about objects, buildings and
words. The
shapes and edges of ordinary stuff marked by traces of experience, have
long held a fascination for me and that's what I make work about.
I love cities and architecture and since the
city where I live and work. They are about
looking up at the sky through the gaps between urban
buildings. A simple idea but a compelling
project. Having
now made
over 400 individual images in
the series (they look amazing en masse) my
intention is to extend the project to other cities.
You've been donating to
RCA Secret for some years now. What is it that you like about the show ?
I have contributed cards to the RCA Secret show every year
since 2004 [back then I was Sarah Davenport, I was Kudirka Davenport for a
while, and now I am called Sarah Kudirka (my husband's family came from
Lithuania to east London in the 20s)]. I like the way it is a group show
including lots of big name artists, but is kind of sweet and understated. I
mean it is put on in an egalitarian way, with each work perching modestly on
the neat, long, shallow shelves.
What do you think about
the hard-core fans who queue overnight or even for days to buy work at the show ?
I think the hard-core fans who queue for days and camp out to
get cards on their wishlist at RCA Secret are great. A little crazy too perhaps,
but I admire their dedication. I loved meeting a few recently at The Other Art
Fair - such long-standing enthusiasm for the show is wonderful!
Do you like looking
round the postcards yourself? What work appeals to you?
Sorry no, I haven't actually made it along to see the show
for a couple of years.
Have you ever bought
something or queued ?
I have never queued or bought any myself, but the other day I found a list of the ones (just the numbers) my husband and I liked when we last went to see the show, it read like a secret code.
Do you have a favourite card
that you have donated to a previous sale?
I think my favourites are those where the buyer of my card has
got in touch with me afterwards, as new collectors of my work. That's probably the
best bit for me as an artist. I usually put in something that relates closely
to what is in my head and my studio right then. I usually forget to photograph
them before I pop them in the post, so I often have no record of what I've sent
in (stupidly). So if you get mine this year, do email me a shot of it on your
wall please.
Have you got any
projects on the go at the moment? What can we look forward to?
I am painting now, in parallel with my London series, over
Polaroids I took in Berlin and I may show there later this year. I would love
to be commissioned to work in/on other cities too. I have been asked to make a
series in Beirut so that may happen further down the line. I have travelled to
some amazing places in the Far East, Australia and the US that I'd love to
revisit with my Polaroid, and part of my childhood was spent in Nairobi: there
are lots of places on my list for making work!
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