In advance of the 2013 sale I thought it would be helpful if I updated the FAQs. So here they are.
How do I spot the cards by the top artists?
The million dollar question. My first answer to that would be another question – why would you want to? If it is because you love the artist anyway and RCA secret is the only way that you can pick up their work at an affordable price then trust me you have a good chance of spotting your favourite artist’s work.
If it is because you are looking to make money out of the sale then, sorry you are on your own. And in any event it is unclear how much the cards from the sale are worth in any event.
What time should I start queuing?
Any time after me ;) Seriously though I know people who have started to queue 2 hours after the sale doors opened and have still got the cards they want, although that was a few years ago now and the sale gets more popular every year. It really depends on how committed you are. The queue starts to swell quickly from around 6.30am until the doors open. Don't expect to see much left if you turn up much after around 9am. It is not known how the change in venue of the sale in 2013 will affect the length of the queue.
What should I buy?
It sounds clichéd but seriously you should buy what you like. Isn’t that more important than buying something that you think may be by a famous artist? I guarantee most of the time your punts at a famous artist will usually be wrong.
How does the raffle work?
Once registered for the sale you can buy up to 10 raffle tickets at £1 each. These are on sale up until the Friday afternoon of the sale. On each raffle ticket you write your buyers number and phone number. The college draw 50 lucky winners and telephone each of the winners on friday evening, generally between 6pm and 7pm to let them know they have won. If you have won you are allowed to enter the sale before the queuers. Once you are inside the building you are assigned a pre-drawn position within the top 50 and assembled into order. You can then make your purchases having stolen a march on all those hardy queuers. Good luck to you.
What’s the best way to frame RCA secret cards?
I personally think that they should be framed so that the card can be viewed both front and back. A professional framer should be able to guide you on this, basically you can cut out a bit of the mount at the back to show the rear of the card and that all important signature. This can make the framed piece heavy if two pieces of glass are used, so consider using a piece of Perspex on the back, which is lighter.
Clearly the best way of protecting your cards is to make sure that the cards are conservation framed with UV glass. To make a real difference try using non-reflective glass. Click here for details of our favourite framer.
How does the buying process work?
You can view the cards for a week before the sale day both in person at the college and online.
Don’t forget to register with the college in advance (there is no registration on the day of the sale) and then join the queue on the day of the sale. Make sure you have made a detailed list of the card numbers that you wish to purchase. Make this list as long as possible as many of your first choices are bound to be gone by the time that you get to the front of the queue.
When the sale was done in Kensington then you were eventually taken down to a room below the exhibition hall. There was a bank of tills in the room and also a computer screen which displayed the numbers and tiny images of the cards. The sold cards were indicated on the screen. It is assumed that the 2013 sale will follow a similar process but we won't know for sure until the day of the sale.
When you get to the front of the queue read out the card numbers to the cashier. Don’t worry if you haven’t noted whether a particular card is still available – they will tell you if it is not.
Once you have selected your four cards then pay for them and take your collection slip to the gallery. There a runner will get the cards for you, confirm with you that they have the correct ones, and hand them to you. You can then check the back for the all important name.
How do the college keep it all a secret?
The college take this seriously. Whilst people have tried to suggest that the college must pass on information to others there is no foundation to this at all. The college are extremely fair in the way they deal with the sale. Only a very small number of people are aware of the identity of the artists.
The short answer is whatever people are prepared to pay for them. It is true that in recent times many of the cards in the sale have fetched large sums on the secondary market. A Peter Doig card went for £42,000 at auction and a Damien Hirst for £15,600. Other Hirst cards have fetched much more modest sums on the secondary market.
Save for the very top artists most of the cards are not worth that much money. Ebay sales of cards from previous sales show most selling for around their original cost.
This is really not about the money for most people – it is getting some affordable original art on people’s walls.
Who exhibits at RCA secret?
Of course there are the big names.Tracey Emin in particular has contributed to the sale year on year. Many other big names have contributed in the past – Gerhard Richter, Damien Hirst, John Baldessari, David Hockney, Paula Rego, Peter Doig, Frank Auerbach, Anish Kapoor, Glenn Brown etc etc.
For me RCA secret is not just about these big name contributors though. There are literally hundreds of well known, well established artists who regularly support the exhibition. The beauty of the show is buying something by one of these artists, taking it home, doing a search for that artist on google and then finding out about them and taking an interest in their career after that. RCA secret has introduced me to hundreds of artists that I wouldn’t ordinarily have come across. If you allow it to it will open up your eyes to a whole new realm of contemporary British art.
As for the students – well remember that the RCA is an exclusively post-graduate place of study. So these students have already spent a considerable amount of time immersed in the art world. Some of my favourite RCA secret cards are by students.
What do the college do with unsold cards?
There aren’t many. The college say that they are returned to the artist sometimes. In 2006 some of the 2005 cards made reappearances.
Where can I find out more about the artists?
Often you will get home, google the artist’s name and not find anything. Especially if they have a common name. Try emailing the college. They may hold the artists CV or a short biography that they will give to you.
How do I find out more about the show?
The RCA secret blog is a great start. Check out the RCA Secret facebook group as well. This blog and the college also have RCA Secret twitter feeds.
How do I spot the cards by the top artists?
The million dollar question. My first answer to that would be another question – why would you want to? If it is because you love the artist anyway and RCA secret is the only way that you can pick up their work at an affordable price then trust me you have a good chance of spotting your favourite artist’s work.
If it is because you are looking to make money out of the sale then, sorry you are on your own. And in any event it is unclear how much the cards from the sale are worth in any event.
What time should I start queuing?
Any time after me ;) Seriously though I know people who have started to queue 2 hours after the sale doors opened and have still got the cards they want, although that was a few years ago now and the sale gets more popular every year. It really depends on how committed you are. The queue starts to swell quickly from around 6.30am until the doors open. Don't expect to see much left if you turn up much after around 9am. It is not known how the change in venue of the sale in 2013 will affect the length of the queue.
It sounds clichéd but seriously you should buy what you like. Isn’t that more important than buying something that you think may be by a famous artist? I guarantee most of the time your punts at a famous artist will usually be wrong.
How does the raffle work?
Once registered for the sale you can buy up to 10 raffle tickets at £1 each. These are on sale up until the Friday afternoon of the sale. On each raffle ticket you write your buyers number and phone number. The college draw 50 lucky winners and telephone each of the winners on friday evening, generally between 6pm and 7pm to let them know they have won. If you have won you are allowed to enter the sale before the queuers. Once you are inside the building you are assigned a pre-drawn position within the top 50 and assembled into order. You can then make your purchases having stolen a march on all those hardy queuers. Good luck to you.
What’s the best way to frame RCA secret cards?
I personally think that they should be framed so that the card can be viewed both front and back. A professional framer should be able to guide you on this, basically you can cut out a bit of the mount at the back to show the rear of the card and that all important signature. This can make the framed piece heavy if two pieces of glass are used, so consider using a piece of Perspex on the back, which is lighter.
Clearly the best way of protecting your cards is to make sure that the cards are conservation framed with UV glass. To make a real difference try using non-reflective glass. Click here for details of our favourite framer.
You can view the cards for a week before the sale day both in person at the college and online.
Don’t forget to register with the college in advance (there is no registration on the day of the sale) and then join the queue on the day of the sale. Make sure you have made a detailed list of the card numbers that you wish to purchase. Make this list as long as possible as many of your first choices are bound to be gone by the time that you get to the front of the queue.
When the sale was done in Kensington then you were eventually taken down to a room below the exhibition hall. There was a bank of tills in the room and also a computer screen which displayed the numbers and tiny images of the cards. The sold cards were indicated on the screen. It is assumed that the 2013 sale will follow a similar process but we won't know for sure until the day of the sale.
When you get to the front of the queue read out the card numbers to the cashier. Don’t worry if you haven’t noted whether a particular card is still available – they will tell you if it is not.
Once you have selected your four cards then pay for them and take your collection slip to the gallery. There a runner will get the cards for you, confirm with you that they have the correct ones, and hand them to you. You can then check the back for the all important name.
How do the college keep it all a secret?
The college take this seriously. Whilst people have tried to suggest that the college must pass on information to others there is no foundation to this at all. The college are extremely fair in the way they deal with the sale. Only a very small number of people are aware of the identity of the artists.
How much are the cards worth?
The short answer is whatever people are prepared to pay for them. It is true that in recent times many of the cards in the sale have fetched large sums on the secondary market. A Peter Doig card went for £42,000 at auction and a Damien Hirst for £15,600. Other Hirst cards have fetched much more modest sums on the secondary market.
Save for the very top artists most of the cards are not worth that much money. Ebay sales of cards from previous sales show most selling for around their original cost.
This is really not about the money for most people – it is getting some affordable original art on people’s walls.
Who exhibits at RCA secret?
Of course there are the big names.Tracey Emin in particular has contributed to the sale year on year. Many other big names have contributed in the past – Gerhard Richter, Damien Hirst, John Baldessari, David Hockney, Paula Rego, Peter Doig, Frank Auerbach, Anish Kapoor, Glenn Brown etc etc.
For me RCA secret is not just about these big name contributors though. There are literally hundreds of well known, well established artists who regularly support the exhibition. The beauty of the show is buying something by one of these artists, taking it home, doing a search for that artist on google and then finding out about them and taking an interest in their career after that. RCA secret has introduced me to hundreds of artists that I wouldn’t ordinarily have come across. If you allow it to it will open up your eyes to a whole new realm of contemporary British art.
As for the students – well remember that the RCA is an exclusively post-graduate place of study. So these students have already spent a considerable amount of time immersed in the art world. Some of my favourite RCA secret cards are by students.
There aren’t many. The college say that they are returned to the artist sometimes. In 2006 some of the 2005 cards made reappearances.
Where can I find out more about the artists?
Often you will get home, google the artist’s name and not find anything. Especially if they have a common name. Try emailing the college. They may hold the artists CV or a short biography that they will give to you.
How do I find out more about the show?
The RCA secret blog is a great start. Check out the RCA Secret facebook group as well. This blog and the college also have RCA Secret twitter feeds.
Can I contribute to the blog?
Yes please. This is an unofficial fan’s blog. I want to have as many stories from you as to your RCA secret adventures. Whether you are a newbie or an RCA Secret veteran please do send me your stories and provided they are clean I will publish them, guaranteeing as much or as little as anonymity as you would wish. I’d also love to hear from artists who would like to write something about the processes involved in contributing to RCA secret.
Finally, will you tell me who did card number 129?
Er no, here to help but come on that would ruin the fun of it all. Besides you might be ahead of me in the queue.
Yes please. This is an unofficial fan’s blog. I want to have as many stories from you as to your RCA secret adventures. Whether you are a newbie or an RCA Secret veteran please do send me your stories and provided they are clean I will publish them, guaranteeing as much or as little as anonymity as you would wish. I’d also love to hear from artists who would like to write something about the processes involved in contributing to RCA secret.
Er no, here to help but come on that would ruin the fun of it all. Besides you might be ahead of me in the queue.
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